Found some amusing photos of unusual animals. Wonder if some of them are photoshopped hoaxes. I was worried about the kid riding on a komodo dragon until I read that it is actually a bronze replica. Not sure what animal this is in the photo linked here, but it reminds me of my UNC philosophy professor.
Blossom says Daylife permits a publisher to quickly put together content, marketing, and advertising resources from both internal and external sources. He believes this kind of toolset can allow publishers to duplicate the Huffington Post‘s successful integration of marketing elements and editorial content.
Daylife describes its management interface as simple and intuitive, designed for non-technical editorial personnel for point-and-click interaction.
It seems to me that the Daylife model offers a useful option for news organizations that are struggling to find a new and workable business model. Blossom says,
[A] service like Daylife cannot replace all of the editorial value of a traditional newsroom and more robust editorial content development platforms, but when it can provide most of the robust functionality that people expect from an online publication today along with access to deep and high-quality content, it’s time for publishers to think more actively about how they can use tools such as Daylife to enable their content to succeed in any number of topic-specific “instant portals” and other efficiently managed content presences far more actively.
Upon looking at the photo, though, what occurred to me was not how romantic or evocative the image might be, but how much litter is on the ground and what a mess the festival made. Here’s a link to the photo:
This design is thought-provoking: We normally conceive of time as a line, and yet for centuries the standard timepiece interface has been a circle. The author of the Watchismo site explains why this is:
Why do we think of time as travelling in a straight line yet display it rotating around a circle? The answer is straightforward: mechanisms that continually rotate are much simpler to produce than those that trace a straight line then return to zero. In fact, the latter is so difficult that, until now, nobody has ever managed to develop a production wristwatch with true retrograde linear displays.
It makes me think about how I conceive time personally. In the big picture, I think I do see time as a straight line going infinitely to the left and right.
In spite of the more linear design of the calendars I use, I believe I conceive of the calendar as a circle, as if the year were superimposed on a standard clock face. However, in my mind, the calendar runs counterclockwise with January at approximately the 11:00 position. I think my circular conception of the calendar comes from the periodic nature of the solar year. Why the year goes counterclockwise in my mind I don’t know.
When it comes to my conception of days, though, I see some ambiguities. I do conceive of them on some level as a circle of 24 hours, but on reflection I think that conception is at least partly based on the circular clock faces we use to keep time, as well as on the collective 24-hour standard we use to keep our society synchronized.
Certainly the new Urwerk King Cobra CC1 provides food for thought about how we think about time and about the user interfaces of the devices we use to keep track of it. Below is a link to Watchismo’s picture of the watch. Watchismo also provides many fascinating details about how the watch is designed and constructed.