Randy Ingermanson: ‘Fiction Gives Justice in an Unjust World’

I just wanted to pop up briefly to point to a great insight into fiction-writing by fiction guru Randy Ingermanson. I’ve been reading his blog and newsletter for a number of years, and his methods have greatly helped my own fiction writing (now on hold, as I am focusing on a non-fiction project).

In his 13 Nov 2022 article, “Where Is Your Novel Going?,” I was struck by this brilliant paragraph:

“Stories are about our longing for justice in an apparently unjust universe. Let’s be clear that we have no idea if the universe is actually just or not. It doesn’t look just. Sometimes bad things happen to good people, and sometimes good things happen to bad people. But nobody wants that, except bad people. Decent people wish the universe were just, and they desperately hope it will turn out to be just in the end.”

I have to state a caveat, which is that I personally think it is possible to know the truth about justice in the universe. That said, Randy produces a fantastic high-level kind of premise for thinking about the appeal and value of fiction. I’ve studied and attempted detective fiction, and I decided a long time that the primary theme of crime fiction is justice. But Randy (correctly, I think) extends that theme to all fiction.

If by any chance you’re trying to or thinking about writing fiction, you can’t go wrong by reading Randy Ingermanson’s blog (you can follow it via email).

ARB – 14 Nov 2022

Advertisement

Current writing projects focusing on the American Civil War

I’m just making a note here about my current writing projects. I’ve switched my writing focus from business and technology to American history, with emphasis on the American Civil War. I’m working on some articles and a book project for publication, but in the meantime I’ve set up two websites related to this current interest:

Raleigh’s Wall and the American Civil War — An exploration of the circle of fortifications built in 1863 around the city of Raleigh, N.C. (where I live), to protect Raleigh, the capital of North Carolina, during the four-year conflict.

Civil War Nuances — Stories and reflections on the American Civil War, with an emphasis on ambiguities, ironies, and touching stories that I run across during my historical research.

These historical writing projects are not without precedent in my life as a writer. Following are some older American history projects I worked on:

Lewis and Clark: Mapping the West — During the late 1990s, I worked as a content producer for an educational firm, EdGate.com. While there, I was assigned to develop a site dedicated to the role of cartography during the Lewis and Clark expedition of 1804 to 1806. I collaborated with experts from the Smithsonian Institution and the Library of Congress on this project, acquiring part of the content from those experts, and writing part of it myself. Note: I left the company to take another job before the project was completed; I was not wholly satisfied with the ultimate outcome of the website. It’s good, but not as good as I would have liked.

Natalie Curtis Burlin (1875-1921): A Pioneer in the Study of American Minority Cultures — This is a web version of my 1994 article published in Connecticut Review. This article was the first extensive biography of Natalie Curtis Burlin, a musician and ethnologist who was an early researcher of Native American and African American music and folklore.

ARB — 21 Oct. 2020

Word-Count: The Hack-Writer’s Lament

Word Count: The Hack-Writer’s Lament

I know.

Get the word-count down.

It’s good for me? It’s what makes a good writer? Please.

Murder your darlings. You mean murder the story.

It would have been shorter if I’d had more time?

More time is not the problem. More time, and the story will be shaved away.

Word-count, you say. This is not about writing better. This is about the publisher’s sticker shock.

I’ll tell you what. Let me have the two hundred extra words. 200 x 40 cents = eighty dollars. I will give you the eighty dollars, if you will give me my story.

But I’m not going to say that. I’m going to set the latest print-out on my desk. In the morning, I will send you the piece, minus 200 words.

I’ll give you a skeleton,

Picked clean by the vultures of concision.

A. Bredenberg — 22 April 2019

 

Reading His Collected Poems

I read his poems
Each one a few spare lines —
An image of an old woman or a honeysuckle vine or a bee or a dying man.
I shift in my chair, munch on salted nuts, heave a sigh.
You’re the great man,
Get to the point.
Tell a real story.
Say something.
I close the book and set it on the desk.
I rinse my drinking glass,
Shed my day clothes,
Brush my teeth,
Stand at the window looking out on a quiet street.
Somewhere across the city, a train whistle whines.
The book sits there on the desk.
Damn you.
I pick it up, take it to my bed,
Read it until sleep takes me away.

3 July 2016

 

‘A Yearbook Encounter,’ essay by Paul A. Bredenberg

[Following is an essay written by my father, Paul Arnold Bredenberg, in 2003. A further explanation will follow. ARB]

A Yearbook Encounter

By Paul Arnold Bredenberg

It started with a newspaper clipping sent by my brother, who still lives in my old home town. The story was a tribute to Naz Servideo, an old acquaintance of mine who died recently. He was a basketball star on our great high school team of ’38-’39, the team that almost won the state championship. We lost by four points. I always felt that we would have won if Naz, our best shooter, had taken just three more shots. Do you suppose that loss is long forgotten and has entirely ceased to hurt? Think again — it’s been only sixty-four years. A fellow needs time.

PaulABredenbergAndTennisHatAbt1965_smallI was a student manager for that team, and the players treated me like one of the family. How many times had I taped Naz’s ankles before he went out on the court? 1 just had to get out my yearbook and find the team picture for that year. Maybe not one of my better ideas, but I couldn’t help it.

There they were. What athletes! Two of them, who also played football, went on after the war to play the end positions (offense and defense in those days) on the New York Giants first team. Both are also now deceased.

But what happens once your yearbook lies open? Your finger turns page after page, you see row after row of those clear young faces, most of them hauntingly familiar. Your finger stops now and then under pictures of the smart and talented and, in my case, of a few girls who caught my eye, gave me “ideas,” but seemed unreachably distant. I found, however, that they had signed their names beside their pictures, so apparently I was not hopelessly shy.

My finger paused for some time under Vito’s picture. It seemed I had always known him. His father had been my barber as far back as I could remember. The next pause was for Archie — tall, raw-boned, tough — but as gentle and kind a friend as you could ask for. The thing is, I knew that Vito and Archie never came back from the war in Europe.

The picture that held my attention for the longest time was the one of Stanley. Seeing that strong young face, with the expression that always seemed to me slightly cynical, my thoughts spun back in time more than sixty years. Stanley was the kid next door, my companion on neighborhood adventures. We walked to school together and were about as close as teenagers can get.

When the war was over and I had received my discharge from the Navy, I went home for a brief visit with my parents before going back to work on my college degree. Approaching the house, I looked down the driveway between our place and the neighbor’s; then upward against the sky I could see the line running between the second floor windows of the two houses. I smiled.

On my first trip upstairs to my room I went over to my desk beside the window. There was my little apparatus, just as I’d left it several years before. I’d put it together with scrap wood, metal and wire. Adding a store-bought lantern-type battery and a buzzer, what I had created was a kind of telegraph terminal. Stanley had put together a similar rig in his room across the driveway, and we had strung a two-way insulated wire through our room windows connecting our “terminals. ”

What we had in mind was to send messages back and forth by Morse Code. But first we had to learn the Code. Perhaps we thought it might be worth a Scout merit badge. We went to work on it and got to the point of being able to chat back and forth at about ten words per minute, maybe more.

Now, years later, 1 thought to myself, just for the heck of it, let’s try it out. Surprisingly, my buzzer worked just fine. I raised my window, pressed my key, but couldn’t tell for sure whether Stanley’s buzzer was sounding.

I found my mother down in the kitchen.

“Mom, I just tried to get a signal to Stanley. Do you know whether he’s home these days?”

Her hand flew to cover her face, as it always did when she was surprised or embarrassed. “Oh, my Lord,” she said. “I forgot to tell you …. His parents got word, oh sometime last summer, I think …. that he was missing in action. Then a few months later someone came to tell them that he … that he would not be coming back … from Europe.”

She reached out her arms to hold me, her eyes watering. “I’m so sorry … I know how you and Stanley ….” I held her close and didn’t try to stop my own tears. The wound was as dose to the heart as any that war would bring me.

Back in my room I sat at my desk a long time, looking down that telegraph line to Stanley’s window. My youthful sentiment at the time was that in the years to come there would always be a kind of connecting line between us, even though one of the terminals lay under a small white cross on a gentle green slope in the north of France.

Nearly sixty years later, that line is still there. It carries no messages in code tapped out with finger on key, but one can tell movement on the line by pressing a finger under a certain small picture in an old high- school yearbook.

[The essay quoted above was published in 2003 in the newsletter for Whitaker Glen, the retirement community where my father and mother, Paul and Gladys Bredenberg, were living at the time. During his last several years, my dad began doing some writing and published a series of essays and poems in the newsletter. I always wished he had done more writing and that he had sought broader publishing venues, but near the end of the life he seemed satisfied to reach his small audience there at Whitaker Glen. This was always my favorite of his pieces, and recently some family members said they would like to read it again. So here it is.]

ARB — 14 November 2015

 

 

Using Speech Recognition to Automatically Transcribe Interviews, Meetings, and Speeches

I’ve been looking for a way to use speech recognition to automate the transcription of interviews, meetings, speeches, conference presentations, and so on.

I spend a lot of time on the phone interviewing experts for the articles and reports I write. Normally I conduct the interview with a headset and do my best to type a transcript of what is said. I’m slow and a terrible typist, so my transcript misses a lot and comes out with many misspellings that are impossible to correct. Usually for an hour-long interview it takes me another hour to go through and fix mistakes, filling in gaps, and making guesses at uninterpretable words.

I would greatly benefit from a speech recognition solution that could create a fairly accurate transcript from audio, for example, live over the phone or from an mp3 file.

This need was emphasized to me even more this week, when I attended a conference and spent two days trying to take notes and capture useful quotes from speakers. I have a digital voice recorder and have all of the presentations in mp3 format, but it’s going to be quite a challenge to comb through all of that audio to find relevant quotes for the articles I will be writing about the conference. How much easier it would be it I had a software application that could convert all of those mp3s into fairly accurate text transcripts!

Unfortunately, it appears that voice recognition software is not ready to handle meetings and so on where multiple voices are involved. These systems have to be trained to recognized the voice of a single user.

I’m using this blog post to mark and share some possible solutions I have encountered. I will plan to add to this list as time goes — if and when the technology continues to improve.

+ Dragon Naturally Speaking by Nuance is supposed to be the best reasonably-priced speech recognition software for professional use. Nuance says Dragon is not able to transcribe multiple voices, but I’m tempted to shell out the $200 just to see what kind of results I might get with it. Suppose it were 50 percent accurate transcribing unfamiliar voices? That might be good enough for me.

+ Windows has its own built-in speech recognition capability. I plan to test this out to see whether I can make it work somehow. However, it’s hard to believe that Microsoft could come up with a better solution than a specialist company like Nuance.

+ One suggestion I’ve run into a lot is to transcribe a meeting or lecture by “parroting” or “re-speaking.” In other words, using speech rec software like Dragon, you listen to the recording of the meeting on headphones and repeat what you hear into your computer mic. Because Dragon is trained to your voice, it can create an automatic transcript. Sounds laborious, but it would probably be better that having to type it all out myself.

+ I also heard about a company called Koemei that has a cloud-based solution for converting video and audio assets into text. Looks as if this might work pretty well, however, their entry-level service is $149 per month. That sounds like a lot, but maybe someday…. For $20 per month I would definitely try it.

+ Another idea I have thought of is to call my Google Voice number and play the audio recording into my voicemail. Google Voice automatically transcribes my voicemails into text and often does an acceptable job — good enough so I could paste the results into a word processor and make quick corrections. I’m not sure yet if Google Voice can handle long audio streams, though. I’m thinking about testing this solution to see if I can make it work somehow.

+ Here’s an interesting video by Chaelaz showing how to use YouTube’s closed-captioning transcription service to convert audio to text. Looks as if you would have to create a video first and upload it to YouTube, but that’s an interesting possible work-around for what I’m trying to do.

ARB — 21 June 2013