What the Climate Change Controversy Is Really About

I’ve discussed this question before over on ThomasNet Green & Clean — see my piece “The Climate Change Controversy — What’s It Really About?

However, I’m meditating on a somewhat different way to articulate it. I should say that I don’t think this controversy is essentially about science. I’m not persuaded by ill-informed or politically motivated assertions, but I don’t use terms like “hoax,” “anti-science,” “pseudo-science,” or “denialism” in connection with the argument.

My current thinking is the following:

The climate change controversy is about a high-stakes struggle between science in the service of eco-socialism and misinformation in the service of free-market fundamentalism.

I’m engaged in an ongoing development of my thinking on this topic and will no doubt circle back to it. But I just wanted to pin down that idea.

ARB — 2 Nov. 2012

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The Creative Process – How an Intricate Stop-Motion Animation Project Came to John Frame in a Dream

I just heard a fascinating interview with sculptor and stop-motion animator John Frame, who explained how his long-term project “The Tale of the Crippled Boy” came to him in a dream. Frame had been a sculptor for decades but had hit a creative wall, or more precisely had run out of steam, to use another metaphor. He had reached a point in his creative work where he just couldn’t create anymore.

Then one night he had a lucid dream in which he imagined an entire world populated with characters in motion. He somehow recognized that these characters were his own creations, and in that dream state he spent several hours observing this world. When when he woke up early in the morning, he captured it all in drawings and notes and storyboards and began his current stop-motion animation project. Did I mention that he had never done stop-motion before? But now “The Tale of the Crippled Boy” has become his entire creative activity.

You can see Frame’s initial animations here on Vimeo:

I have to admit that I’m not drawn to the creative product, fascinating and detailed as it is — too bizarre to appeal to me. But what I am intrigued by is the way the idea came to the creator — seemingly arriving out of the blue in a dream state. Everybody dreams, and I suspect that lucid dreaming is fairly common. However, the important thing here is that Frame got up and captured it all so he could turn the idea into a creative product. It’s also significant that the stop-motion product draws on his many years of work as a sculptor.

This experience illustrates what I think are some important lessons about the creative process, and it follows the ideas set out in my favorite book on this topic — A Technique for Producing Ideas, by James Webb Young. Written in 1965, this is a brilliant treatise for anyone involved in creative work — Young was actually an advertising guy, but his ideas really apply to anyone in the arts. It’s only 36 pages. You can buy it for a few dollars on Amazon and read it in an hour or so.

Thinking about Young’s book and John Frame’s experience, here are some lessons I extract:

  1. Work very hard over the long term to develop your creative skills, whatever they are — design, writing, drawing, sculpture, painting, music — or skills that are creative but more commonly used in the business world, such as copywriting, graphic design, or art direction. I would also extend this lesson into areas such as innovation, science, engineering, and architecture.
  2. When you are up against a creative problem, put a lot of concentrated effort into analyzing the problem, doing research, brainstorming, testing ideas.
  3. When you are sick and tired of all that concentrating, take a break for an hour, a day, a week, or even longer. Do something else. Relax. Exercise. Go for a hike. Watch a movie. Read. Or go to sleep.
  4. At an unexpected moment an idea or a series of ideas will come to you. Be prepared to capture these ideas — have the tools you need always available to write down or draw out ideas that come to you. I always carry a pocket notebook and set of pens with me. Ideas often come to me when I’m out walking. Like Frame, ideas have sometimes come to me in dreams or just before sleeping or just upon waking up.
  5. After the idea comes to you, work with it and adjust it and figure out how to make it work in a practical way. It might be the solution to the problem you’ve been working on, or it might be the source of an entirely new and unexpected creative endeavor.

You can hear the interview with John Frame at The Story — his is the second part of that particular show.

ARB — 14 Oct. 2012

The Climate Change Controversy – What’s It Really About?

Power plant in FinlandRecently I’ve been writing a series of columns on climate change over at ThomasNet Green & Clean. Although I do talk about the scientific arguments around human-caused global warming, I’m also interested in this issue as a social controversy, that is, what is it that drives people to one side or the other of the question? (Photo: Power plant, Finland. Credit:eutrophication&hypoxiaCC BY 2.0)

Here are links to each of the articles up to now:

Does the Public Really Believe Humans Are Causing Climate Change?

All This Wrangling Over Climate Change – What’s Up With That?

The Climate Change Controversy – What’s It Really About?

So, Have They Figured Out That Global Warming Is Real?

ARB — 19 Dec. 2011

Why Climate Change Is Controversial — or Is It?

My article at ThomasNet last week generated some controversy — see “All This Wrangling Over Climate Change – What’s Up With That?” Commenters on multiple ideological sides of the debate chimed in with comments — passionate but civil, for the most part.

Some readers were frustrated with me because I took a more or less neutral stance. Not that I have no opinions about climate change. It’s just that my purpose in this case is to try to shed some light on the controversy as a controversy. Here is a key excerpt:

Grappling on the global-warming battlefield are two parties in a high-stakes political conflict: On the extreme ends of the global warming controversy, believers accuse skeptics of pushing “free-market fundamentalism”; skeptics accuse believers of pushing “eco-socialism.”

According to one narrative, market fundamentalists and corporate interests are funding an intentionally-deceptive propaganda campaign against the concept of human-caused global warming to keep business free from regulatory interference…

According to the opposing narrative, communism has reformulated itself as a leftist environmental movement bent on establishing a world government and destroying free-market capitalism.

This is my second article in a series on climate change. The previous one examined research into public perceptions of the issue — see “Does the Public Really Believe Humans Are Causing Climate Change?

AB — 9 August 2011

So, are cell phones really destroying the bees?

That’s what you might think from reading a recent headline, says David Sims, writing for ThomasNet Green & Clean — see “Are Cell Phones Killing Off Bees?

Sims was alerted to an article with the headline, “It’s Official – Cell Phones are Killing Bees.” Sounds pretty definitive, right? Sound science must have finally proven it, right?

Not so much. Drilling down into the sources, Sims finds that,

Favre himself [the researcher] concluded the study did not show that mobile phones were deadly for bees. The most he’d commit himself to was a hypothesis that electromagnetic fields “might be contributing to the disappearance of bee colonies.”

So, whither the bold headline ‘It’s Official’? I think the answer is that science journalism, like most journalism today, has to grab eyeballs, so journalists are motivated to write sensational headlines to attract readership. As a result, all kinds of nonsensical assertions are promoted as “fact” and “proven” when such is far from the truth — see “How the Media ‘Inform’ People What Science Has ‘Proven.’

Unfortunately, many readers don’t get past the headlines.

AB — 19 June 2011