United Airlines Shoots Itself in the Foot With Poor Customer Service to a Well-Known Author

Today on his popular blog, Boing Boing, science-fiction author Cory Doctorow published an abysmal experience he had yesterday with United Airlines on the final leg of his U.S. book tour. I’m not going to repeat his account, but it is sadly typical of the experiences many of us have with big-company customer service.

In a nutshell, United Airlines screwed up and the customer service representative dealing with the problem refused to do the right thing for the customer. I’ve had similar experiences time and time again, and it is the primary reason that I am constantly searching for providers of all kinds who will treat me better than the communications company, bank, technology provider, regulated utility, retailer, or government agency I am currently stuck with.

Usually when I get mistreated by a big company I don’t blame the customer service rep who refused to help. I assume that that person is stuck with the rules, training, supervision, and other constraints imposed on them by their company. I try to avoid blaming the rep, but I always encourage the person to pass along to his or her masters the reason for my dissatisfaction with their company. Most big companies have people who sit around a table and discuss why their customers leave them, and I always have hopes that if enough feedback filters up from the front line, it might make a difference in the way the company treats its customers.

In short, my message to big companies is: Empower your front-line people to do the right thing for your customer.

ARB — 2 March 2013

Some good commentary on the difficulties of both historical fiction and history writing.

A. Roy King

I was struck by this quotation from Howard Zinn in The Art and Craft of Writing Historical Fiction, by James Alexander Thom:

Historical fiction and nonfiction are both abstractions from a complex world of infinite fact. Both can tell the truth; both can lie. The “lies” (that is, distortions, omissions, exaggerations) in historical fiction may have two advantages over the “lies” (that is, omissions, exaggerations, distortions) in nonfiction. First, that they are at least entertaining. Second, that they do not make the same claim of being truthful.

The fact that historical fiction is more entertaining can also make it more dangerous  because it is more seductive, enveloping the lie in a sweeter package than nonfiction. Bad historical fiction may wrap a false idea (that blacks are inferior, that war is good) in an attractive story and thus make it more dangerous.

Thom, who is a great American historical novelist known for his careful research and accuracy, also quotes Washington Irving as saying, “I am always at a loss…

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Should a Murderer Be Forgiven?

Today on Facebook, grief expert Rob Zucker shared a fascinating article about Conor McBride, who was forgiven by the parents of his girlfriend, whom he murdered. The article asks the question “Can Forgiveness Play a Role in Criminal Justice?” and discusses restorative-justice diversion programs, a movement that seeks to reconcile criminals and their victims — and to let victims’ forgiveness play a role in sentencing. Together, Conor’s parents and the parents of the murdered girl, Ann Margaret Grosmaire, consulted with Sujatha Baliga, who leads the Restorative Justice Project at the National Council on Crime & Delinquency. Working together with the prosecutor, the parents succeeded in getting a reduced sentence for Conor.

It’s a messy story about a horrible crime, but it does cause me to reflect on repentance, mercy, and capital punishment.

Years ago, I was struck by something said by computer scientist David Gelernter, who was maimed in 1993 by a package bomb from the Unabomber Ted Kaczynski. How did Gelernter feel about the death penalty for Kaczynski, who also murdered three people? Here’s what Gelernter wrote in his 1997 book Drawing Life: Surviving the Unabomber, as quoted in a review of the book:

I would sentence him to death. And I would commute the sentence in one case only, if he repents, apologizes and begs forgiveness of the dead men’s families, and the whole world — and tells us how he plans to spend the whole rest of his life pleading with us to hate the vileness and evil he embodied and to love life, to protect and defend it, and tell us how he sees with perfect agonizing clarity that he deserves to die — then and only then I’d commute his sentence…

An unrepentant Kaczynski pleaded guilty in 1998 to escape the death penalty and is serving life without possibility of parole.

In 1999 in Utne Reader, Gelernter wrote an essay that is at the same time thoughtful and impassioned. The essay is titled, “What Do Murderers Deserve?” with the subtitle, “In a responsible society, the death penalty has its virtues.” In the opening paragraph he writes,

A Texas woman, Karla Faye Tucker, murdered two people with a pickax, was said to have repented in prison, and was put to death. A Montana man, Theodore Kaczynski, murdered three people with mail bombs, did not repent, and struck a bargain with the Justice Department: He pleaded guilty and will not be executed. (He also attempted to murder others and succeeded in wounding some, myself included.) Why did we execute the penitent and spare the impenitent? However we answer this question, we surely have a duty to ask it.

I have no essential problem with the death penalty. Often when learning about some abhorrent crime, I’ve found myself thinking, why not just save us all a lot of time a grief and put a needle in his arm right now? At the same time, capital punishment is unevenly administered in this world. You’re less likely to get executed if you can pay for better counsel. And what about the role of repentance? In a just world, I guess that would make a difference. But in the messy one we are stuck with for the time being, it seems likely that repentance and forgiveness will only be allowed to make a difference at the margins where you find ideas like restorative justice.

ARB — 6 January 2013

 

Why It’s Good to Pay Attention to Climate Change Misinformers

I’ve heard a lot of people say that we shouldn’t listen to the “deniers” of man-made global warming, and that the media shouldn’t give them “equal time.” I’m going to step out of line and say I think it’s good to pay attention to the arguments of those who disagree with the consensus view on climate change.

My thinking on this issue has partly arisen while participating in a discussion in the “Green Group” on LinkedIn. (Not sure whether a non-member can view the group and its discussions.) I’m here repeating some of my comments from that discussion.

Science has it own motivation for improving its work, but I think the contrarians, the misinformers, and the misinformed provide added incentive to make the science better. They also add incentive for science communicators and journalists to do a better job communicating with the public about the science and its inferences.

Just a little example from my own work. I’ve heard many of the misinformed raise the objection, How can CO2 as a trace gas cause such a problem? And isn’t CO2 beneficial for plants? I remembered studying this in earth system science, but I didn’t really know how to make the case for it, and I couldn’t find any really accessible article to refer people to. So I did some investigation and wrote an article for it on my own column: “Carbon Dioxide — How Can One Little Molecule Be Such a Big Troublemaker?

The point is that the misinformation gave me an incentive to do a better job of communicating.

ARB — 25 Dec 2012

Economic Incentives, the Simple Life, and Freedom of Choice

Nearly all of us are actors within the economic system, and so we are driven by economic incentives to a greater or lesser degree.

I think I can make an argument that by living a simpler life, we can free ourselves to a greater extent from those incentives. That gives us greater freedom of choice.

Thoughts?

ARB — 20 December 2012

 

Who said, “What gets measured gets managed”?

William Thomson, Lord Kelvin
William Thomson, Lord Kelvin

I love the proverb, “What gets measure gets managed.”

This principle often gets applied to business situations. It can mean that simply examining an activity changes the activity by forcing you to pay attention to it. It can also mean that producing measurements about the activity gives you a handle on it, a way to improve it. If you start adding up your sales volume every month, it gives you a basis for saying, I’m not generating enough revenue, I need to do more selling.

But I’m interested in knowing the source of that quotation. It often gets attributed to management expert Peter Drucker, but I’ve never seen an actual reference that proves he said it.

This blog post will serve as an ongoing investigation of this quotation and might be updated from time to time as new information comes to light.

Here are some popular forms of the quotation:

“What gets measured gets managed.”

“What doesn’t get measured doesn’t get managed.”

“What gets measured gets done.”

“To measure is to know.”

However, I haven’t been able to find any reliable reference that traces any of these forms to Peter Drucker or any other original source. It’s possible that these are nothing more than memes that have caught on and keep getting passed around.

So far, the most likely source of this idea, if not in any of these popular forms, is William Thomson, the Scottish physicist also known as Lord Kelvin. According to the Encyclopaedia of Occupational Health and Safety, by Jeanne Mager Stellman (page 1992), Kelvin said in his May 3, 1883, lecture on “Electrical Units of Measurement” (Popular Lectures, Vol. 1, page 73):

I often say that when you can measure what you are speaking about, and express it in numbers, you know something about it; but when you cannot express it in numbers, your knowledge is of a meagre and unsatisfactory kind; it may be the beginning of knowledge, but you have scarcely, in your thoughts, advanced to the stage of science, whatever the matter may be.

That might be the best we can do in tracking down the source of this bit of management wisdom.

Some people probably think it doesn’t matter whether we get these kinds of things right or not. But in his story about researching this same Lord Kelvin quote, James Heywood of patientslikeme makes some good points about the value of checking primary sources.

ARB — 2 Dec. 2012

What the Climate Change Controversy Is Really About

I’ve discussed this question before over on ThomasNet Green & Clean — see my piece “The Climate Change Controversy — What’s It Really About?

However, I’m meditating on a somewhat different way to articulate it. I should say that I don’t think this controversy is essentially about science. I’m not persuaded by ill-informed or politically motivated assertions, but I don’t use terms like “hoax,” “anti-science,” “pseudo-science,” or “denialism” in connection with the argument.

My current thinking is the following:

The climate change controversy is about a high-stakes struggle between science in the service of eco-socialism and misinformation in the service of free-market fundamentalism.

I’m engaged in an ongoing development of my thinking on this topic and will no doubt circle back to it. But I just wanted to pin down that idea.

ARB — 2 Nov. 2012

Religion and Political Correctness

I’ve noticed that some people think being religious requires you to hold certain political views. I’ve been meaning to put together a post collecting some of those ideas. I plan to add to this post as I encounter new and interesting expressions.

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Gary Cass, head of the Christian Anti-Defamation Commission and a former member of the executive committee of San Diego’s Republican party, says you can’t be a Christian if you don’t own a gun:

You have not just a right not bear arms, you have a duty. How can you protect yourself, your family or your neighbor if you don’t have a gun? If I’m supposed to love my neighbor and I can’t protect him, what good am I?

via The Raw Story

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Bryan Fischer of the American Family Association says it will hurt God’s feelings if we stop using fossil fuels:

“And you think, that’s kind of how we’re treating God when he’s given us these gifts of abundant and inexpensive and effective fuel sources,” Fischer added. “And we don’t thank him for it and we don’t use it.”

via The Raw Story

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Radio show host Rush Limbaugh says if you believe in God you can’t believe in human-caused climate change:

See, in my humble opinion, folks, if you believe in God then intellectually you cannot believe in manmade global warming.

via Grist

— ARB

The Creative Process – How an Intricate Stop-Motion Animation Project Came to John Frame in a Dream

I just heard a fascinating interview with sculptor and stop-motion animator John Frame, who explained how his long-term project “The Tale of the Crippled Boy” came to him in a dream. Frame had been a sculptor for decades but had hit a creative wall, or more precisely had run out of steam, to use another metaphor. He had reached a point in his creative work where he just couldn’t create anymore.

Then one night he had a lucid dream in which he imagined an entire world populated with characters in motion. He somehow recognized that these characters were his own creations, and in that dream state he spent several hours observing this world. When when he woke up early in the morning, he captured it all in drawings and notes and storyboards and began his current stop-motion animation project. Did I mention that he had never done stop-motion before? But now “The Tale of the Crippled Boy” has become his entire creative activity.

You can see Frame’s initial animations here on Vimeo:

I have to admit that I’m not drawn to the creative product, fascinating and detailed as it is — too bizarre to appeal to me. But what I am intrigued by is the way the idea came to the creator — seemingly arriving out of the blue in a dream state. Everybody dreams, and I suspect that lucid dreaming is fairly common. However, the important thing here is that Frame got up and captured it all so he could turn the idea into a creative product. It’s also significant that the stop-motion product draws on his many years of work as a sculptor.

This experience illustrates what I think are some important lessons about the creative process, and it follows the ideas set out in my favorite book on this topic — A Technique for Producing Ideas, by James Webb Young. Written in 1965, this is a brilliant treatise for anyone involved in creative work — Young was actually an advertising guy, but his ideas really apply to anyone in the arts. It’s only 36 pages. You can buy it for a few dollars on Amazon and read it in an hour or so.

Thinking about Young’s book and John Frame’s experience, here are some lessons I extract:

  1. Work very hard over the long term to develop your creative skills, whatever they are — design, writing, drawing, sculpture, painting, music — or skills that are creative but more commonly used in the business world, such as copywriting, graphic design, or art direction. I would also extend this lesson into areas such as innovation, science, engineering, and architecture.
  2. When you are up against a creative problem, put a lot of concentrated effort into analyzing the problem, doing research, brainstorming, testing ideas.
  3. When you are sick and tired of all that concentrating, take a break for an hour, a day, a week, or even longer. Do something else. Relax. Exercise. Go for a hike. Watch a movie. Read. Or go to sleep.
  4. At an unexpected moment an idea or a series of ideas will come to you. Be prepared to capture these ideas — have the tools you need always available to write down or draw out ideas that come to you. I always carry a pocket notebook and set of pens with me. Ideas often come to me when I’m out walking. Like Frame, ideas have sometimes come to me in dreams or just before sleeping or just upon waking up.
  5. After the idea comes to you, work with it and adjust it and figure out how to make it work in a practical way. It might be the solution to the problem you’ve been working on, or it might be the source of an entirely new and unexpected creative endeavor.

You can hear the interview with John Frame at The Story — his is the second part of that particular show.

ARB — 14 Oct. 2012